What I Learned as a UX/UI Designer at Olympic and Paralympic Winter Games
Oct 7, 2025
Designing for the Olympic and Paralympic Games is more than a professional challenge — it’s a chance to be part of something global, meaningful, and deeply human.
Working on Milano Cortina 2026 gave me the opportunity to contribute to one of the world’s most prestigious events through the lens of UX and UI. It was a project that pushed my skills, broadened my perspective, and reminded me why thoughtful digital design truly matters.
Here’s what I took away from this extraordinary journey.
Collaboration is the key to success
Milano Cortina 2026 was a masterclass in collaboration. On a project of this scale, design isn’t something you do alone — it’s something you build together.
UX and UI decisions had to be aligned with developers, content teams, accessibility experts, project managers, and international stakeholders. Every feature, every screen, was a product of discussion, feedback, iteration, and shared ownership.
I learned that success in design comes not only from strong ideas, but also from the ability to listen, adapt, and integrate feedback constructively. Collaboration wasn't just encouraged — it was essential.
Simplicity is powerful
One of the most important aspects of this project was accessibility. The Olympic and Paralympic Games must be inclusive by nature — and that applies to the digital experience too.
We followed accessibility guidelines, conducted testing, and ensured that our designs were usable for people with visual, auditory, and motor impairments. This wasn’t a checkbox — it was a mindset shift.
Inclusive design isn’t a feature. It’s a responsibility.
Emotion matters as much as function
The Olympic Games are not just about information — they’re about emotion. They unite people, inspire nations, and create unforgettable memories. Our goal was to translate some of that magic into the digital experience.
We used colour, motion, micro-interactions and storytelling elements to evoke excitement without overwhelming the interface.
I learned that emotional design isn’t just about aesthetics — it’s about connection. It helps people feel part of something bigger.
Real-world constraints make you sharper
Like any large-scale project, we faced tight deadlines, technical limitations, last-minute changes and complex approval chains. But rather than limiting us, these constraints pushed us to prioritise, simplify, and focus on what really matters for the user.
I gained a deeper appreciation for design as a balance between creativity and practicality — and how smart compromises can still lead to great outcomes.
We weren’t just building a product — we were building a legacy
What sets the Olympics apart is not only its scale, but its lasting impact. Our work will live on long after the closing ceremony — archived, remembered, referenced.
That sense of legacy made every decision feel more meaningful.
We weren’t just designing screens. We were shaping part of the digital history of the Olympic movement.
Final thoughts
Milano Cortina 2026 wasn’t just another UX/UI project — it was a turning point in how I see design:
It’s about teamwork — design thrives when people collaborate
It’s about clarity — great design removes noise and focuses attention
It’s about accessibility — because everyone deserves a seat at the table
It’s about emotion — helping users feel connected
And above all, it’s about impact — leaving something that lasts
I’m incredibly proud to have played a part in this historic event — and even more grateful for everything I learned along the way.


